
Video Watching Assignment #3: Watch 20 minutes of the video Search for Identity and take notes. When you are done, post your notes here.
Video Authors:
Maxine Hong Kingston and Sandra Cisneros
Who's Interviewed:
Mary Pat Brady, professor of English (Cornell University); Patricia Chu, associate professor of English (George Washington University); Sandra Cisneros, award-winning author and poet
Points Covered:
• Explains how women writers in the 1970s through the 1990s blurred genres (fiction and nonfiction, novels and short stories) to tell their stories.
• Connects feminist and identity movements in the 1970s and 1980s to parallel developments in literature, and explains that as women gained more political and social power, their writing also garnered more respect.
• Shows how these later writers recovered largely forgotten women writers from the past (e.g., Zora Neale Hurston) to establish a women's literary tradition.
• Addresses the challenges for ethnically diverse writers of describing their communities truthfully and questioning dominant beliefs while still identifying with these communities.
• Shows how these writers used their communities' storytelling techniques, primarily the oral tradition, in their own fiction.
• Analyzes how these writers tried to separate myths about womanhood from lived realities.
• Shows how Kingston and Cisneros drew inspiration from their own lives to write fiction that would bring attention to the needs of their communities. Also expresses their desires to "give something back" to their communities, or to return one day to help those who could not leave.
• Defines postmodern narrative and feminism.
Preview
• Preview the video: Inspired by the civil rights movement, the women's movement of the 1960s and 1970s challenged established conceptions of what it meant to be American. Partly because such works as Betty Friedan's The Feminine Mystique sold many more copies than publishers had anticipated, literary critics and readers began to take the work of women writers more seriously in the 1960s and 1970s. Maxine Hong Kingston's The Woman Warrior inspired other women writers grappling with issues of feminine, American, and ethnic identity. Like Kingston, Sandra Cisneros portrayed in her work characters the reading public had never before encountered. These representations challenged mainstream society's definitions of women and of American identity. Like other "postmodern" writers of the period, Kingston and Cisneros experimented with form and blurred genres. A mixture of fiction and autobiography characterizes their best-known works.
• What to think about while watching: What is identity? What does it mean to have a dynamic rather than a rigid identity? What does it mean to say that identity is a process? How might this idea conflict with preexisting ideas about identity? What is postmodern narrative? What writing styles did these authors use and why? What does it mean to "translate" one culture's stories into the language of another culture? How did female writers challenge the meaning of being American? What does it mean to be a woman in America? How can books help women readers to realize the options available to them? How did minority women writers complicate mainstream views of their communities while also questioning these communities' dominant beliefs? What risks did these writers take in telling their stories?
Photo: Anne Hutchinson (1591-1643) was a 17th-century midwife who taught the Antinomian heresy that God could be reached directly and without the assistance of a minister. She was put on trial and excommunicated from the Massachusetts Bay Colony. She later gave birth to a stillborn, misshapen child--further proof, some said, of her affiliation with the Devil. She has come to represent freedom of speech and is sometimes labeled America's first feminist.